I used to think I was a filmmaker. I could create miracles from what I have and wow, I knew enough terminology to be the director of the project.
3 years of hard-core filmmaking lessons -practical and theory- in university makes you realise that you are only a small bug walking around, thinking the world turns around you... I was nothing.
Now that we are clear about what I was and what I am now, we can talk about today's subject: making "a character" in your head a hero in your film.
Okay, when we say a hero, what pops in your head? Usual stuff, I presume... Iron Man, Captain America, Thor, Batman, Big Daddy (Kick Ass), Tony Montana (Scar Face), God Father.. I think you got the point.
What if I told you that the Dude in the Big Lebowski was also a hero, what would you say? Either "I know, you dumb bitch, get a life." or "get out of here!".
So, if you are one of the people who already knew that the Dude was a hero, get lost right now. This is very much a time wasting reading for you. For those who didn't, enjoy the ride.
Well, the main character is the hero of the film. "Duh!" End of story.
No, read through, its getting more and more fun. I'm joking, it doesn't end here.
First of all, if you think you are a filmmaker, you are not. If you know you're a filmmaker, lets get in touch.
A film starts with an idea. Idea can come to a person everywhere. Trust me when I say everywhere; my last story was written in toilet and don't you dare asking what I was doing in there.
Everyone has a different style of writing, being creative. Some think, some sing, some listen, some stare. It's the matter of the inspiration. My usual inspirations are sentences. I twist some words around and ta-da! I have a story!
Or sometimes I think about a character, I try to become that character, I try to act like that person, think like that person and I imagine what would happen to him. Then ta-da!
So, whatever inspires you, do that and get yourself a nice hard-ass story that you would like to watch on the silver-screen without checking the time.
Let's come up with a story actually, then go step by step. O-kay... tick-tock... Thinking.
Okay, I've got one! So there was this homeless guy who seemed as if he knew everything about the world. People thought he was a wise man but he was an idiot. Though since everyone thought/believed what he said had a meaning, they tried to find the sense themselves and they did, usually. So, one day one of the big guys (high status, suit guy) comes to him and asks stuff. The homeless guy had no idea who this suit guy was. He tells his usual stuff and the suit guy finds him fascinating and then the homeless guy becomes one of the consultants of him and he was no more a simple homeless guy the junkies would listen to. The world would listen to him now.
I just came up with an amazing story. Look at my simple story! It includes insults to politicians! Man, I will earn good money from this. Anyways, back to the subject.
Simple story that has a character, has a point, can be filmed even silent and would still make sense.
What makes my homeless guy the main character?
1- He is the main character of the story and this is his story.
2- He saves the day for those whom would be too lost to be in need of asking questions to a homeless guy.
3- He changes the stereotypical homeless person view of public: marginal example.
I also gave a brief explanation about the character. I said that "he is an idiot". That refers to this:
1- Whatever he says doesn't have any logical value,
2- He is not as smart as people think he is.
Also I have explained the "public" characteristics, as saying "homeless guy is suppose to be a wise man... they make sense out of what he is bubbling about" (not with exact words). That refers to this:
1- Public type in my story is bunch of people who are ready to believe,
2- They have a (good or bad) bias towards characteristics of people,
The Suit guy refers to an educated man who is a politician and therefore is voice of the people he was chosen by. His belief in to the homeless guy refers to how the (good or bad) bias towards characteristics is more than cultural and all Socio-Economic classes affected by it.
Homeless guy's life's changing is only simple ending to this story.
Now, how do we make him a proper hero?
Dialogue. Visual referrals. Sound and visual affects. Dramatising the character. Only logical, because the hero of a film is a person who the audience bond with.
Cont.
Homeless guy explains his life story to a journalist for her to publish it. He explains it all very bravely. All the beatings he survived from his father, all those times he felt lonely because he didn't have a mother as a child, all those years he was married and his wife died on birth, all those nights he looked after his only gift from wife; his son and he died from heart-failure when he was 2 months old.
How he lost his job when the depression kicked in and for 5 years he was homeless, moneyless and lonely. His only friends have been the junkies and people who passed him by looked at him with pitiful and/or disgusted eyes. They didn't know what he went through and they judged him instead of asking or listening...
and this is how you dramatise a character. What's up!
If this brief explanation can make an audience say "aaaaawwwwwwwwww!", it's awesome. If some cry, even better. He is the biggest hero on earth!
So in this piece, I came up with a story, a character and I made him a kick-arse hero.
If I copied and pasted any line in this piece or if I used anyone's idea or whatever, they have every right to sue me. This piece's rights belong to me and NO YOU CANNOT USE THIS PIECE FOR ANY PURPOSE WHATSOEVER! without asking.
Hope you have enjoyed the journey and Deniz Karadaş airlines thanks for choosing us and wishes you a good day. Hope to see you soon again. This is a gift from me to you reader! Enjoy!
Deniz Karadaş a.k.a. AntiRadioGirl.